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Animate excited ty th aesthetic and then bored by it. = museum fatigue,

 Some perspicuous presentations bore us, but the poignant ones captivate us: we are rapt, ecstatic, in contemplating them, and our mind does not wish to move on to any successive intentional act. Since aesthetic appreciation requires such ecstatic arrests, we often suffer “aesthetic impotence”, returning to an adored object and finding ourselves unmoved by it. 

doctrine of “arrest” before works of art might explain “museum fatigue”, where walking one hall in a museum can prove as tiring as hiking one mile in the woods.

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