Suppose one wakes in the morning and smells the distinctive aroma of coffee, and the experience is pleasurable.
This appreciation depends on a learned, imaginative association: the smell brings to mind its cause, the brewing coffee, and its purpose, the consumption of the coffee.
The agreeable sentiment is a response to this complex association of impressions and ideas, not to the smell alone. Critical evaluation is therefore highly contextual: “The passion, in pronouncing its verdict, considers not the object simply, as it is in itself, but surveys it with all the circumstances, which attend it
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