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Political polarisation, if you don't share my political beliefs, then no, you can't have a date

Dating websites  report that fewer people are willing to consider relationships with people who don’t share their political beliefs. 

On Match.com, 60% of singles said they were less open to dating across party lines than they were two years ago.

This person speaks for many: 'I couldn't date a supporter of the opposing party because“when somebody has beliefs that you think are just morally wrong, it feels like a personal attack on you.'

Why is this?

More and more Americans now get their news from nakedly ideological outlets, which makes it less likely that they’ll encounter opposing views – i.e

Fox News right wing (whatever that means)

The rest Liberals Media which a Harvard study has shown are nakedly biased

In the UK Labour  - what the liberal 'left'  circa 1960 type views, mostly University graduates
and London centric

Conservative  - the working class, rural away from the bubble of big cities

Never the twain shall meet

Lugenpresse describes US Liberal media

Image result for define LügenpresseLying press (German: Lügenpresse, lit. 'lying press') is a pejorative political term used largely by German political movements for the printed press and the mass media at large, when it is believed not to have the quest for truth at the heart of its coverage.

Fundamentally I know what I write are lies but hey you gotta earn a living and my editor says....




Is left wing media biased and thereby knowingly corrupt most sane people  are accepting this as a given now. 

Yet few people know or understand what’s really going on in the journalistic kitchens, where a pungent slop of  bias  is cooked up on a daily basis.

There is a German word which nails it
“Lügenpresse” (lying press) 

Whoever pays you, owns you - Confessions of a Liberal Journalist

Whoever pays you, owns you

prostitute

Harvard find that Liberal US/UK media are 95% biased propaganda

Harvard Study Reveals Huge Extent of Anti-Trump Media Bias



They found that the tone of some outlets was negative in as many as 98% of reports, significantly more hostile than the first 100 days of the three previous administrations:

The academics based their study on seven US outlets and three European

The academics based their study on seven US outlets and three European ones.
In America they analyzed CNN, NBC, CBS, Fox News, the New York Times, the Washington Post and the Wall Street Journal.
They also took into account the BBC, the UK’s Financial Times and the German public broadcaster ARD.



Major award winning author Fiona Marshall, writes a short story for our blog

  • Image result for ancient library



  • By decree of Ptolemy III Euergetes, all visitors to the city of Alexandria are required to surrender all dreams and visions immediately upon entry, as well as any form of imagination in any language in their possession, which, according to Galen, are listed under the heading “dreams of the ships.” Every morning I send the official scribes to the docks to intercept passing ships and copy the dreams of the day, so swiftly and subtly that the originators are often unaware of it. Some copies prove so precise that the originals are put into the library, and the copies delivered back to the unsuspecting owners.

In the process of creating the greatest library in the world, do not think that I, Ptolemy 111, am unwilling to pay; I would not go down in history as a common filcher of dreams; I recognise when dreams are sent by the gods, and can interpret them accordingly. Galen will tell you how I requested permission from the Athenians to borrow the original dreams of Aeschylus, Sophocles and Euripides, for which the Athenians demanded 450 kg of silver as guarantee. I happily paid the fee, but kept the originals for the library.

In the process of creating the greatest library in the world, do not think that I, Ptolemy 111, am unwilling to pay; I would not go down in history as a common filcher of dreams; I recognise when dreams are sent by the gods, and can interpret them accordingly. Galen will tell you how I requested permission from the Athenians to borrow the original dreams of Aeschylus, Sophocles and Euripides, for which the Athenians demanded 450 kg of silver as guarantee. I happily paid the fee, but kept the originals for the library.

Every evening I command my scribes to go down to the water’s edge and fling the day’s spent dreams into the sea. If they are caught by the
wind and whirled away, so much the better. I have found this method of storage to be economical. Dreams are infinitely retrievable. They also fill every atom of space in the universe, thus making a mockery of physical geography. It would be a fool who came to Alexandria to rob the library, or to destroy it. I have succeeded in building a library

outside space and time and I have always been able to read the dreams that come to me like an open book. But now the worst has happened. For the last three nights, I have myself had dreams which foreshadow the end of the library, for I am unable to interpret them.


11
First the angel, which had no message for me. Listen to my dream: I have been trading at the harbour, forced to it by the unwillingness of the brutish to part with their dreams for free. I am walking along the empty sunlit dock, clutching just two ragged dreams coerced off some unshaven, dirty sailors; all is still, with that afternoon stillness, even the sea of blue salt chunks is suspended and salt particles of silver float in the air.

 I enter the customs house which is empty but for rows of stools, and drop a few coins which go spinning and whirring between the legs of the stools. I can hear them whirring. I pick up all but one big gold one which is still spinning before me in mid-air; I retrieve it, pulling it from the air, but the spinning continues faster and faster, into a much bigger pentagon of golden light. I shout to the men I have just been trading with, for the golden shape is between me and the door. The men rush in and in fear say that my voice is changing. We all stand transfixed, watching the golden shape a couple of feet above the ground. In the silent whisper of dreams I ask the being: Are you an
angel, and receive a silent reply. I awake in terror, pain running through my legs.



The next night, another wake-up dream, urgent and numinous. Listen again: I am bathing at night in a deep, black pool of the sea, fully clothed. The lights of Alexandria are winking at me from the shore and there comes the uneven blink of the light-house. An unknown person with me picks up a broken bracelet of beautiful and ancient shells, pearls, jewels, and looking round I realise that the entire place is made of all these; they are crunching underfoot, and form the little cliffs cupping the bay. As I am gazing in wonder, there comes suddenly a wail and a man in a chariot comes galloping across the beach behind, escorted by four or five other horsemen. Again there comes the cry of a child, and I see two very young children sitting in the chariot as the man blazes on. There is a great sense of doom and urgency. I awake.

The third gave me great pause; listen. I am lying down and see, far above, a mass of golden light, transcendant. My body opens up to reveal the dark matters within: broken dreams, interrupted dreams, dead dreams; which I ask to be given to the light. They are at once lifted from me.


111

Since this last, early this morning, I can no longer read dreams, though the scribes brought them to me as usual, their robes stained from the scribes brought them to me as usual, their robes stained from the sea. The only interpretation I can come to makes me tremble: that I, as librarian, must see my collection dissipate. The truth is that the library does not and could never exist because of the principles of decay. The desert air preserves the skin shrunken round the skull of the man who has died of thirst for the infinite compassion of posterity, but the air of Alexandria is breathed straight off the sea and falls heavy on papyrus,

more delicate than the nails clutching at the sand. Rodents and cockroach destroy what the damp may spare. Our library has been called large because the universe is infinite and the stories of 500,000 papyri represent this, rather than being, as the vulgar think, a figment of the grandiose imagination. In vain will generations to come scour Alexandria for the site of the library, scraps of papyrus. At most there are a few rolls in my study, detailing a bit of history and household affairs. These will perish. There is no library, there will be no great destruction. I am Ptolemy lll and these were my dreams.







  • .

The Democrats and their show trials

The US Democrats have got something in commom with Russia (as it used to be)
Show Trials

Taste the coffee' No Thanks

When caffeine becomes deadly: How much is too much?

The recent death of a South Carolina teen blamed on too much caffeine has once again propelled the popular stimulant and questions over its safety into the national spotlight.
Sixteen-year-old Davis Cripe collapsed last month at his high school and died at a hospital after consuming a large soft drink, a latte and an energy drink over a short period, according to Richland County coroner Gary Watts.
Davis was a healthy and active teen who shunned drugs and alcohol, his parents said.

A message for US Democrats


 Live 

 Conservative manifesto launch Theresa May says it is time to put the 'old tribal politics behind us and come together in national interest'

'Truth' that mobile and utilitarian army of metaphors

 TRUTH IS  A mobile army of metaphors, metonyms, and anthropomorphisms—in short, a sum of human relations which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people:


 truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins.


Nietzsche provides an account for (and thereby a critique of) the contemporary considerations of truth and concepts. These considerations, argues Nietzsche, arose from the very establishment of a language:


James Joyce his debt and deference to Shakespeare

Image result for James Joyce

Paola Pugliatti asserts that Jans Joyce too,  by scavenging words, ideas, structures, and themes, from Shakespeare, does not in any way deplete him but instead renews and re- plenishes his works, finding forms of engagement that renew Shakespeare’s relevance for readers in Joyce’s times and in our own. This is a token of Joyce’s recognition of the sheer greatness of the Bard if not of his deference towards him


The relationship between Shakespeare and Joyce is vast and unending. And it is not as one-sided as might be imagined. Shakespeare is far more than a mere source for Joyce but also it would seem a sort of collaborator,

 At first it might seem that the two writers could hardly have been more different, belonging, as they did, to different times, spaces, nationalities. 
Shakespeare,  a poet and playwright working in a nation in formation, living in what is often referred to as the Golden Age of the English Renaissance, during which the country was beginning to make its weight felt across the globe; the latter, James Joyce minor poet, an underwhelming playwright, and a master of the novel, a genre not yet in existence in Shakespeare’s time, struggling to be published in a country moving uncertainly towards independence but enjoying, on its own terms, a  powerful and empowering cultural revival or renaissance. Both wrote at crucial moments in the formation of their respective nations, albeit  
 at a distance of three hundred years. Shakespeare was writing when the English language as we know it was consolidating and his works  played a key role in that process; Joyce wrote from outside the main-stream, described “writing in the English language” as “the most ingenious torture ever devised for sins committed in previous lives” 

Joyce  did much to both destabilize and enrich both the English language and the traditions of literature in English, firstly from Ireland and subsequently from his various perches in continental Europe. If Shakespeare gave indelible shape and resounding voice to the centre that is England, Joyce, in putting Ireland on the page and hence on the European and, ultimately, on the global literary map, symbolically gave equally vibrant voice to the rest of the world that had come under English influence or English colonization and whose native voice had, as a result, often been largely reduced to silence.

If only the US Democrats could interact with those with different views in such a respecful manner - but this is highly unlikely as the Democrats claim to be the  'educated' ones and the opposition the 'ignorant'.
 

Shocking the middle class reader by silencing the traditional narrative voice

Silencing the traditional narrative voice

Traditional narration, which is tied to a longing for both omniscience and a secure possession of events and characters, is replaced by a limited narrator who does little more than mechanically introduce a scene . ˆ. ˆ.this is a shock for the middle-class reader all that comforting
 surety...all that sitting back and being told he crossed the room and looked at her...

The author's embracing with the status of authority is decentered both undermining narrative authority and the high-art claims of authorship.

By refusing to privilege unity and continuity within a text it unsettles the belief that an artwork requires wholeness

.
So there.

tied to a longing for both omniscience and asecure possession of events and characters, isreplaced by a limited narrator who does littlemore than mechanically introduce a scene . ˆ. ˆ.[t]his is shock for the middle-clasreader(54)Meanwhile, Green’novel
 Living
 ismarke‘by its development of proletarianlanguage. Rather thasuppressing dialect,the novel celebrateit, and doeso withouttranslating it for the middle-class reader’ (62)Chapter 3 discusses the muted or ousted nar-rative authority of Green’s texts, another areawith clear links to class. Authority in Green’swork is restrained through an avoidance of ex-position and a ‘silencing of the traditional nar-rative voice’ (70

Would Borges have existed without Thomas De Quincey - we are all De Quincean's now

Thomas Penson De Quincey (/ˈtɒməs də ˈkwɪnsi/;[1] 15 August 1785 – 8 December 1859) was an English essayist, best known for his Confessions of an English Opium-Eater (1821).[2][3] Many scholars suggest that in publishing this work De Quincey inaugurated the tradition of addiction literature in the West. His immediate influence extended to Edgar Allan PoeCharles Baudelaire and Nikolai Gogol, but Berlioz also loosely based his Symphonie fantastique on Confessions of an English Opium-Eater, drawing on the theme of the internal struggle with one's self.

This biography of the craven Romantic and self-confessed ‘Pope of Opium’ Thomas de Quincy concludes with the ominous words: ‘We are all De Quinceyan now.’
De Quincey's  life was shambolic yet his legacy endures.
 Many spores from his fevered mind have lodged in modern popular culture: his narcotic excursions inspired Baudelaire and Burroughs, his sensitivity to place influenced the psychogeographers Guy Debord and Iain Sinclair, his laconic, jaunty essay ‘On Murder Considered as One of the Fine Arts’ was deemed ‘delightful’ by Alfred Hitchcock, and his Escher-like imaginative double consciousness prompted Jorge Luis Borges to ask: ‘I wonder if I would have existed without De Quincey?’

And yet behold the man himself. Broke, pompous and high as a kite, he dressed like a beggar and wrote surrounded by an ‘ocean’ of books, papers and candles so that, as Frances Wilson dryly notes, ‘It was habitual for his daughters to point out to De Quincey as he worked that his hair was alight’
Image result for hair on fire