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Art doesn't Exist. Really?
Summary : Two friends meet to discuss an art project. What's the project about? Whether art actually exists. For if it didn't, to quote Nietzsche, we would have to ask the question, Why?
“I am of the school that questions arts’ existence.”
“Oh,
you do,”
“Yes,
I believe we have naïvely realistic
assumptions about works of art.”
“Yes,
well, could you expand on that?”
“I
mean that we fall into a kind of transcendental realism when we look at words
of art. For looking at art works is a subjective experience like taste.”
“As I was saying, I would argue that art works are works of fiction.”
“And how can that
be, sir?”
“Because they are
dependent upon the perception and imagination of the observer.”
“Not sure I, or
the rest of the people here, quite understand that. Do we?” he appeals to
audience. There is a swell of a ‘no’ from the audience that smack of an angry
lynch mob.
“Well, I will explain
if I may?”
“Well
thank you for allowing me to continue. Yes, well, as you look at a piece of art
it is a contemplative and for some aesthetic experience neither of which
constitute existence. Works of art are the product of the imagination; the existence
or reality of a completed work of art continues to depend on the make-believe
or imaginative activity of the artist or some other subject, such as the observer
or reader who conjectures the work as a work of art.”
“Please,” and the
Lecturer proffers an inviting hand. I inwardly groan.
“Although artists, critics, and you art lovers
are likely to think such a claim is absurd we have to attribute so called
existence of art to other modes of being. Because they are observer
relative.”
“What
we undergo as we look at art works is a kind of ‘conscious self-deception’ and
this conscious self-deception is necessary to both the creation and
appreciation of art. So our commerce with art is a kind of lucid illusion.”
“And
so what then your view on the beauty of art.”
“Beauty
comes about through it irreducability. It is not a thing that exists.”
“If we applied more self-reflexive awareness
we would realise that something is being imagined when looking at art works, as
opposed to believed. When we look at a Ruben’s or a Poussin they may have the
capacity to contribute to a subjective appearance of beauty but this does not constitute
existence.”
“No,
so what does it constitute?” Comes back a very peeved looking lecturer.
“It
constitutes subjective idealism. The painting, the wood frame, the paper, the
paint, obviously figures amongst the real entities of the world, but if you then
extract from these material things, the work of art, and see it as a bearer
or locus of beauty and other aesthetic properties,
then clearly work of art cannot be the material object in itself so we have to
questions its existence. Take this building it is a material entity of
bricks etc. But if we then deem the building to be majestic or grandiose or see
this ceiling here as beautiful, or the dome of St Pauls as a work of art then
you are engaging in the imaginative apprehension of fictional qualities.”
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