Ambivalence does not, in the
Freudian story, mean mixed feelings, it means opposing feelings. ‘Ambivalence
has to be distinguished from having mixed feelings about someone,’ Charles
Rycroft writes in his appropriately entitled A Critical Dictionary of
Psychoanalysis: ‘It refers to an underlying emotional attitude in which the
contradictory attitudes derive from a common source and are interdependent,
whereas mixed feelings may be based on a realistic assessment of the imperfect
nature of the object.’ Love and hate – a too simple vocabulary, and so never
quite the right names – are the common source, the elemental feelings with
which we apprehend the world; they are interdependent in the sense that you
can’t have one without the other, and that they mutually inform each other. The
way we hate people depends on the way we love them and vice versa. According to
psychoanalysis these contradictory feelings enter into everything we do. We are
ambivalent, in Freud’s view, about anything and everything that matters to us;
indeed, ambivalence is the way we recognise that someone or something has
become significant to us. This means that we are ambivalent about ambivalence,
about love and hate and sex and pleasure and each other and ourselves, and so
on; wherever there is an object of desire there must be ambivalence. But
Freud’s insistence about our ambivalence, about people as fundamentally
ambivalent animals, is also a way of saying that we’re never quite as obedient
as we seem to be: that where there is devotion there is always protest, where
there is trust there is suspicion, where there is self-hatred or guilt there is
also self-love.
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